Over these 5-day visual art workshops.
It’s a quiet winter afternoon. The light falls softly on the colouring book. Crayons are scattered on the coffee table. Colours are spreading slowly across the mandala she’s colouring in.
Is this you? An adult involved in an activity we associate with children.
You are not alone. Colouring in has taken off in a big way amongst adults across the world, including highly stressed executives. The activity is being hailed as therapeutic for anxiety and stress and is even promoted by psychologists.
Psychologist and neuroscientist Dr Stan Rodski from Melbourne Australia has launched his own colouring books for his patients after noticing how children relax when they colour in. He was having difficulties with getting his corporate clients to practice relaxation techniques like breathing, meditation or yoga. He also conducted a number of research studies, measuring changes in heart rate and brainwaves that showed colouring in lead to positive neurological responses and improved executives’ ability to manage stress.
Does the kind of image you colour in matter? It seems that certain patterns are more conducive to reducing stress.
Dr Rodski favours patterns and shapes in his books rather than defined pictures or scenes. According to him, images that incorporate repetition, pattern and detail give the best results.
Colouring in mandalas seems to be especially effective in reducing stress levels. The symmetrical form of the mandala with its repeating patterns and complexity is said to bring about a state similar to meditation.
A study by Nancy A. Curry and Tim Kasser examined the effectiveness of different types of art activities in the reduction of anxiety and found that colouring in a mandala reduced anxiety levels of participants significantly.
Carl Jung practised drawing and painting mandalas for many years. He saw them as symbols of the Self. Having his patients create mandalas became one of the tools he used in his psychiatric practice.
So we have proof that colouring in, and specifically focusing on complicated patterns help us to relieve stress, to relax and forget about our woes, but why? Why is it such a huge hit with adults? Isn’t it also a bit silly? Grown men in suits sitting at their desks with colouring books and crayons? Are women having colouring in parties?
Is there a secret reward that keeps adults hooked on this childhood activity? Apart from the fact that that aspect might very well be why we enjoy it so much – we get to be kids again.
I think Julie Beck expresses the pleasing and rewarding effect of coloring in the best: “It takes a good while to color one of these things in completely—a few hours, I’d say—and there’s something very satisfying about watching the color slowly spread across the page, about seeing your thought and effort create a tangible, pretty thing at a reasonable, predictable pace. This rarely happens in life.”
Finding your own artistic style, that way of painting that makes a piece recognisable and uniquely yours is something a lot of us find challenging. And it’s not just an issue for newbies.
It is an exciting skill to learn how to place them to create the greatest impact, and it also gives further interest and information to the botanical subject.
Conquer those fears or learn something new. With Australia’s best visual arts tutors to guide and nourish your creativity, your art will shine.
19 visual art workshops to choose from, you will be spoilt for choice.
IMPRESSIONS-LAYERS OF MIXED MEDIA
Put your own brand of artistic expression into this fun five-day workshop. The week will begin with painting a still life of flowers, fruits, and coloured drapes. For this you will be using acrylic paints and be working on a black primed canvas, the finished painting will have a look of contemporary realism.
Well, what are you waiting for?
Janet will show students the techniques needed to fully explore colour pencil and graphite. The subject of this workshop will be honeyeaters and Flowering Gum. Each student will design their own artwork for completion, giving each student the chance to be simple or complex in their design.
This workshop will introduce the fundamentals of botanical drawing and progress to painting in watercolour. Initially, the focus will be on accuracy and observation in order to train the eye to see what is there, not what the mind thinks is there. We will begin by drawing botanical subjects in graphite pencil, concentrating on the controlled line, shading, tonal contrast and perspective (including foreshortening).After drawing simple plant structures we will gradually build up to more complicated subject matter. Botanical samples will be provided.