Tag Archives: sketching

Workshop vacancies as at 28 Feb.

03. Malcolm Carver – Sketching and Watercolour Painting 1 Vacancy

06. Paul McDonald Smith – Landscape, Still life and portraits.  2 Vacancies

07. Fiona Craig -Painting Flowers in Oils  1 Vacancy

10. Chris Postle – Adventures in Acrylics 3 Vacancies

12. Jenni Kelly – Funtastic Acrylic 1 Vacancy

15. Cees Sliedrecht – What’s New in Pen and Wash 1 Vacancy

18. Janet Matthews – Honeyeaters and Flowering Gum in Pencil, Colour Pencil, and Graphite. 1 Vacancy

Tutors confirmed for 2019

We are pleased to announce the list of tutors thus far who have confirmed that they will be teaching in Grafton for us in April 2019.

This list is by no means complete, so it is advisable to check back often to see who else is confirmed. We will post updates on the site and on social media as the list changes.

Workshop descriptions have yet to be provided by the tutors, and as soon as we receive them, we will post them on the site.

More information

 

Janet Matthews, Wildlife Artist of the Year 2017

Everyone at Fay Boyd’s Fine Art School would like to extend to Janet our congratulations on this well-deserved accolade.

The Wildlife Art Society of Australasia has awarded Janet Matthews the prestigious Wildlife Artist of the Year Award for 2017.

This is Janet’s third time winning this award, and that speaks volumes about the dedication to and quality of her work.

Janet will be tutoring a botanical art workshop for us in 2018, more information.

janet-matthews-wildlife-artist-of-the-year-2017

 

 

 

Janet is a Fellow of the Wildlife Art Society of Australasia and a Fellow of the Australian Guild of Realist Artists. She has a Diploma and a Graduate Diploma in Visual Arts, Monash University.

“It is such an honour to receive this award. This is my third time to have won Wildlife Artist of the Year, and each time it is a surprise and an honour to do so.  There are so many aspects to achieve to earn this award.  Firstly I needed to consistently enter the exhibitions throughout the year.  This is always demanding to have the ‘right’ artworks available for each exhibition, especially if they have a theme or common subject. 

Secondly, I needed to have artworks that were of an incredibly high standard, that would hopefully win the awards at each exhibition. It is challenging to compete with all mediums as some are very ‘strong’ styles.  My work is in colour pencil and graphite and even though they are often powerful images, they have a gentleness and subtlety that isn’t often on the judges list of criteria.

Finally, being an individual with my work is so important. People can identify the drawings as mine, from both my techniques, style and subject matter.

I like to have some quirky aspect to the work, whether it be the antics of the subjects, their expressions, their interaction in a very human way like how we chat to each other or it may be a different view of the subject – like my over and under water images.

It is such a thrill to receive this award and all the respect it shows for me and my work.”

 

Janet Matthews Wildlife in Pencil, Graphite, Colour Pencil & Watercolour Pencil

Janet Matthews Dip and Grad Dip Vis Arts, WASF, AGRAF.

This is a workshop that will explore how to draw wildlife with personality and detail as well as learn many techniques for using Colour Pencil, Graphite, and Watercolour pencil. Graphite – Janet will share her techniques in graphite, drawing a long-haired animal, using resist methods, blenders, erasers and how to use the full range of different pencils.

More Information…

Janet Matthews Exhibition

Janet Matthews is co-exhibiting at the Town and Country Gallery, Yarragon, Victoria from October 8 through October 29, 2017.

Drawing on her recent trips to the Galapagos Islands and South America, the birds and animals she observed in those locations inspired Janet’s pencil drawings in this exhibition. It is obvious from looking at these drawings that patience is a major factor in capturing the essence of these beautiful creatures in their natural habitats.

Janet’s work has been described as “weaving magic” with a pencil. 

Janet shares the spotlight with Darren Gilbert who is also passionate about and captivated by creatures and the environment in this world.

janet-matthews
Hummingbird – Ok lets Share, 22x22cm, Colour Pencil
janet-matthews
Hummingbirds – Its Nectar Time, 24x30cm, Colour Pencil

Read more

Margaret Hastie’s botanical art workshop

This workshop will introduce the fundamentals of botanical drawing and progress to painting in watercolour.  Initially, the focus will be on accuracy and observation in order to train the eye to see what is there, not what the mind thinks is there.

Read more

Paul McDonald Smith – Oils Visual Art Workshop

Students of any level will be inspired by the challenges of these exciting subjects and will love the relaxed and happy atmosphere that Paul’s classes are known for, enjoying regular demonstrations by the tutor each day.

Read More

Art in Australia – Art Journal comes to life at the National Library of Australia

The impressive early twentieth-century art magazine

Art in Australia has been made permanently available online through Trove as a result of a joint project between the University of Wollongong Library, the University of New South Wales Library and the National Library of Australia. It is the first time that the full publication has been made freely available online in high resolution.

Art in Australia Issue 1 cover

Art in Australia will appeal to followers of early twentieth-century art and the wonderful aesthetics of those years. It contains articles by or about significant Australian artists. Norman Lindsay and Margaret Preston contributed articles as well as featured in issues. Their works are often displayed as exquisite high-quality plates.

Pen drawing by Norman Lindsay

The advertisements in Art in Australia are artworks in themselves, reflecting the superior quality of the publication and the aspirations and lifestyles of its readers.

An example of the quality of artwork in the advertisements of the publication

Art in Australia is a major resource for Australian art history. It promoted modern ideas at a time when Australia was experiencing significant societal shifts in the aftermath of the First World War. The period saw the adoption of new technologies such as electricity and motor cars.

Modern trends and technology was promoted

Art in Australia offers a unique, historical aspect into both Australian art and artists and the development of prominent art collections in Australia. It placed special value in female artists and embodied a recognition of Indigenous art beyond its anthropological value.

The Japanese Screen by Florence Rodway. Pastels

Launched in 1916 by artist and publisher Sydney Ure Smith (1887-1949), this pioneering publication was modelled on high-quality European art publications such as The Studio and sought to nurture a national tradition in Australian art and design. These sentiments are evident in his editorials, which demonstrate his deep commitment to advocacy for Australian art and artists. In his introduction to the third issue in 1917, he wrote: “It is our desire to extend the appreciation of Australian Art and help to remove the disadvantage for which it still suffers by reason of the failure of Australians to recognise its merit adequately”.

Sydney Ure Smith photographed by Max Dupain in 1948

The collaborating libraries were pleased to give this historic and beautiful Australian art publication a ‘second life’ through the collaborative digitisation program. The free and openly available online format enables everyone—researchers, students, and the whole community—to enjoy the benefits.

The Crevice by Julian Rossi Ashton

Honeyeaters and Flowering Gums

Janet Matthews Dip and Grad Dip Vis Arts, WASF, AGRAF.

Janet will show students the techniques needed to fully explore colour pencil and graphite.  The subject of this workshop will be Honeyeaters and Flowering Gum.  Each student will design their own artwork for completion, giving each student the chance to be simple or complex in their design.

More Information…

11 Reasons Why You Should Attend an Art Workshop.

Most people are curious about taking an art workshop. We ponder it over and over in our heads and before the decision is made, several thoughts enter our minds.

“Is it really worth it?”
” When will I ever have the time?”
“I’m not good enough.”
“I could never afford it.”
“I could never paint like that.”
“I can learn just as much from videos and books.”
“I don’t really need the help.”
“This is just a hobby to pass the time.”
Just so you know, some of those same instructors you admire had the same thoughts before they took their first workshop and before they became serious about their art.
Sometimes you don’t choose art, it chooses you. Taking the first step can be what makes all of the difference.
There are many ways to learn a new medium or technique with all of the books, DVDs, magazines, and online classes, you would hardly ever have to leave your house. But, none of those less interactive sources will ever compare to attending live art workshops. With a varied list of mediums and tutors available, you can most likely find something just right for you here. Then, make your arrangements with that workshop in mind.

Benefits of Painting.

1. Communication

Art makes us more human; it helps us to communicate in a different, personal language. This is a great benefit for all people and mainly for those who have conditions with a lack of communication or problems expressing themselves such as shyness, autism and other disabilities.

2. Therapy

Painting is an individual activity even in the workshop or classroom; the student enters his/her own world, a world which is full of possibilities. The stimulus of the creative mind allows the student to positively isolate from reality, which provides a mental rest that lowers stress and generates relaxation and happy feelings. This is especially significant for people with aggression or nervousness conditions.

3. Self-esteem

Working in a non-competitive, relaxed environment (the teacher plays a major role here) will enable the student to come closer to greater personal achievements; this will strengthen his/her individuality and self-esteem. This is especially significant for people with co-dependency, traumatic conditions and elderly people who need activities that can strengthen their autonomy.

 

4. Mobility

Learning to hold and handle a brush and/or pencil will help regulate the hand movements and stimulate brain connections at the same time the skill is being developed. In elderly people, painting helps them strengthen their fine motor skill.

5. Concentration and Healing

People who immerse themselves several hours painting or creating something enter a purer area, in a very strong state of concentration; they abstract themselves from their surroundings and time passes by without noticing it. Physical pains fade away; it is almost like entering another dimension without leaving our body.  This is a state similar to that achieved through praying, meditation, music, aromatherapy, and being in love. There have been cases of miraculous temporary healing in painters, musicians who, when in this state, are able to move their atrophied hands or don´t feel pain when creating or executing. Painters Renoir and Gauguin and musician Andrés Segovia are examples of this.

People who immerse themselves several hours painting or creating something enter a purer area, in a very strong state of concentration; they abstract themselves from their surroundings and time passes by without noticing it. Physical pains fade away; it is almost like entering another dimension without leaving our body.  This is a state similar to that achieved through praying, meditation, music, aromatherapy, and being in love. There have been cases of miraculous temporary healing in painters, musicians who, when in this state, are able to move their atrophied hands or don´t feel pain when creating or executing. Painters Renoir and Gauguin and musician Andrés Segovia are examples of this.

6. Mental Health

Painting helps us get distracted from our problems; it helps us take anguish out and transform it into something nice, which is given a title. This helps us identify the feelings and increase our expression capabilities. This is especially significant for people with nervousness, mental conditions (like schizophrenia) or people going through an emotional imbalance like a break-up who use the visual expression to achieve catharsis. Adults who learn to paint fight the fear to confront themselves, learn to persevere and are encouraged to create something that belongs only to them, a personal project, unique and enormously satisfying.

7. Brain Activity

Drawing and painting stimulate both the left and right brain hemispheres. The first deals with the rational, logic elements and the second one maximises our creativity and emotions. Painting is helpful during the growth and development stages of children as well as in adulthood when it is very valuable to fight illnesses like Alzheimer. Painting boosts imagination; the imagination of Alzheimer patients, whose memory starts to vanish, is strengthened.

8. Emotional Intelligence

Emotions are part of the creative world we all have inside. Making those emotions flow through painting helps create harmony between the heart and mind, which leads us to experiment happiness, love, empathy and peace. Within this chaotic world we live, the visualization and relaxation that we obtain through painting are tools that in the long run, benefit our emotional, organic, energetic and spiritual being.

9. Art Appreciation

Practice, understand and talk about art creates a better understanding of it. Individuals see themselves reflected and motivated by the work of others, which also allows us to be a receptor of this type of communication, which dates back to the beginning of human history.

10. Culture

The knowledge that a person can achieve when learning to paint enables him/her to understand human history through art.

11. But more importantly, it’s Fun

Learning how to paint has all the benefits of good entertainment: we laugh, socialize, learn something new, feel motivated to finish what we start, appreciate nature and feel passion for something good.

Learning how to paint has all the benefits of good entertainment: we laugh, socialize, learn something new, feel motivated to finish what we start, appreciate nature and feel passion for something good.
So it’s up to you, for your health, your amusement or personal goal, let’s paint!

Look at the Tutors and Mediums we offer.